Nobl Film · v5.0

Fully analog,
One click.

Remember photographic paper and print film (a.k.a. positive)?
They are back.

133profiles
19negatives
7positives

Pick your pack

Nobl Film v5 - Free
Nobl Film v5 - Free
$0.00

◉ Kodak Portra 400 Lightroom profile

⊞ Kodak Portra 400 LUT in sRGB, Rec.709 and ACEScct

✓ Base presets

Nobl Film v5
Nobl Film v5
$149.00

◉ 133 Lightroom profiles

⊞ 133 LUTs in sRGB, Rec.709 and ACEScct

✓ Base presets

⛶ 20 practice raw images

True film simulation

Original → Negative → Positive

Remember photographic paper?

The art of printing a negative onto photographic paper feels like an old memory. Back in the day it wasn’t enough to have a negative, you needed to print the photos on paper. And that’s important. The paper choice was as critical as the film you shot with. But nowadays, everyone digitally scans their negatives, and the beautiful colors of photographic paper have been forgotten.

The modern analog process is handicapped.

Not anymore. Ladies and gentlemen, you can once again choose your positive.

Close-up of a person's hand holding a cluster of pale pink and white flowers with yellow centers, set against a blurred green foliage background.

Original Image

The original image is converted into spectral data in preparation for a real film simulation pipeline.

Close-up of a bird perched on a flower with vibrant orange petals, possibly a hibiscus, against a pink and light background.

Negative

The negative is exposed to the spectrum and developed. We have 19 negatives to choose from (yes, we profiled Portra).

Close-up of a person's hand holding a cluster of pink and white flowers with green foliage in the background.

Positive

In a true analog workflow, the positive is where the image comes to life. We have both paper and film positives.

People swimming and relaxing by a lake on a sunny day with a clear sky and green trees in the background.

More than presets.

Profiles.

Each one of our 133 profiles simulates the entire analog photography pipeline: negative exposure, development, positive print and development.

A man with glasses taking a photograph outdoors with a camera, with editing software displayed on a screen beside him.

Never overcooked

Use Lightroom’s amount slider to dial in the strength. We do believe you’ll go full strength though.

What’s included

19 Negative Films

  • A lush green forest with moss-covered rocks, trees, and fallen logs, and a small creek running through it. There is a box of Fujicolor C200 film on the ground in the foreground.

    Fujicolor C200

    Punchy colors and slightly cool overall. Warm skin tones, moderate contrast, clean highlights, and a moody daylight look. Pair with Fuji Crystal paper to keep that cool Fujifilm character.

  • Seaside view with mountains partially covered in clouds, waves on the shore, and a box of Fujicolor Pro 400H film in the foreground.

    Fujifilm Pro 400H

    Soft, pastel palette and creamy skin tones. Minty greens, cool-leaning neutrals. Elegant, muted color separation. Lets the print medium be the dominant character creator.

  • A woman working behind a counter in a kitchen, with black and white tiled walls, stacked bowls on a shelf, and several rice cookers in front of her. A Fujifilm Superia X-TRA film box is also on the counter.

    Fujicolor X-TTRA 400

    Vibrant and contrasty. Strong greens and cyans, bright reds, slightly cool shadows. Energetic, punchy look with crisp midtones. When using it, remember, more is more.

  • A cozy scene with a pair of woolen socks, a black coffee mug, a box of Kodak Gold 35mm film, and sunlight streaming in, creating a warm, inviting atmosphere.

    Kodak Gold 200

    Warm, sunny colors. Golden yellows and oranges, rich reds, slightly nostalgic palette. Pleasing, warm skin tones. Pair with Kodak Portra Endura print paper to emphasise the warm tones.

  • A man pushing a wheelbarrow across a narrow suspension bridge in a lush green jungle.

    Kodak Ektar 100

    Saturated and clean color. Bold reds, deep blues, crisp greens. Very punchy, glossy “postcard” look. Pair with Fuji print paper to maintain color accuracy.

  • Luke lies on grass with his hand behind his head, looking thoughtful. He has gray hair and a beard, wearing a red ribbed shirt. A Kodak Professional PORTRA 160 film box is overlayed. A skateboard with red trucks and tan wheels is beside him.

    Kodak Portra 160

    Natural, restrained colors and soft contrast. Warm-but-neutral skin tones, with gentle saturation and a refined, airy pastel tendency. Pair with Fuji Crystal print paper to keep it subtle.

  • Luke taking a photo outdoors with a vintage camera, wearing a red shirt, with trees and blue sky in the background.

    Kodak Portra 400

    True-to-life color. Neutral warmth and smooth tonal roll-off. Restrained saturation that gives flattering, consistent skin tones. Pair with Fuji Crystal print paper to keep greens separate from yellows.

  • Kodak Portra 800

    Kodak Portra 800

    Warm, slightly saturated color. Strong skin-tone rendering. Lively but not harsh shadows. Pair with Kodak Portra Endura print paper for extra warmth.

  • Kodak Ultramax 400

    Kodak Ultramax 400

    Modern and surprisingly accurate colors with controlled saturation. Energetic daylight and flash look. The print medium is front and center here - experimentation is key.

  • Kodak Vision3 50D

    Kodak Vision3 50D

    Clean, modern color with tight grain. Color-accurate with controlled overall saturation. Pair with Kodak 2383 for a strong cinematic split tone and colors.

  • Kodak Vision3 250D

    Kodak Vision3 250D

    Balanced, filmic color and gentle contrast. Warm highlights, natural greens, and controlled saturation for pleasant skin tones. Pair with Kodak 2383 for an immediate cinematic look.

  • Kodak Vision3 200T

    Kodak Vision3 200T

    Neutral-cool tungsten palette with clean blues and cyans. Restrained overall saturation with unmistakable filmic bias. Pair with Kodak 2383 for cinematic night scenes.

  • Kodak Vision3 500

    Kodak Vision3 500T

    Cinematic, slightly cool tungsten look. Rich shadows and moderate saturation. Pair with Kodak 2383 for added overall warmth, and its characteristic split tone.

7 Positive Media

  • Fujicolor Crystal Archive

    Fujicolor Crystal Archive

    Accurate colors, crisp blues and greens, and a punchy yet refined, modern look. Preserves the negative character while injecting a cool Fujifilm character.

  • Kodak Endura Premier

    Kodak Endura Premier

    Neutral-to-warm paper with very punchy contrast. Golden greens and yellows render an unmistakable Kodak character - even from Fuji negative stock.

  • Kodak Supra Endura

    Kodak Supra Endura

    Consumer grade print paper with golden greens and yellows and a sweet contrast.

  • Kodak 2383 print film

    Kodak 2383

    Classic print-film look: warm highlights, cool shadows and slightly muted saturation. It bulldozes the negative character - see for yourself. Tweaking the white balance is key here.

Bonuses

  • Profiles are the base and do all the heavy-lifting. Presets are the cherry on top. There are 3 preset gr groups included:

    • Film Emulation: presets that build onto each of the negative stocks and bring them their full potential relative to what we collectively imagine they should look like.

    • Film components: Grain, bloom, vignette and soft lens presets for quickly adding character.

    • Film curves: Split tone and contrast curves representative of what we’ve come to believe a film stock should display.

  • 20 raw files for practice. Quality results come from quality raw files.

Unsure? Ask us anything.